Rather, it is self-evident that a play will not communicate without it. In these and other types of Asian drama, all the elements of the performing arts are made by usage to combine to perfection: Thus, it was sufficient for the ancient Greek dramatist Aeschylus to have only two speaking male actors who wore various masks, typed for sex, age, class, and facial expression.
But the student of drama must know the rules with which the players began the game before he can make this kind of judgment. It is subject to revision, addition and canceling, without paying much attention to form.
But the drama may also serve a more directly didactic purpose, as did the morality plays of the later Middle Ages, some 19th-century melodramasand the 20th-century discussion plays of George Bernard Shaw and Bertolt Brecht. But the theatre has rarely expected realism, and by its nature it allows an extraordinary freedom to the playwright in symbolizing location and duration: A situation must be represented on the stage, one recognizable and believable to a degree, which will animate the figures as it would in life.
The major features of Asian drama may be seen in the three great classical sources of India, China, and Japan. Document all ideas borrowed or quotes used very accurately.
Noh theatre is reminiscent of the religious tragedy of the Greeks in the remoteness of its legendary content, in its masked heroic characters, in its limit of two actors and a chorus, and in the static, oratorical majesty of its style.
Indeed, plays written in prose dialogue were at one time comparatively rare, and then associated essentially with the comic stage. Eastern invention is merely a variation on what is already familiar, so that the slightest changes of emphasis could give pleasure to the cognoscenti.
The chorus not only provided a commentary on the action but also guided the moral and religious thought and emotion of the audience throughout the play: MET CSor instructor's consent. As new ways of thinking emerge in the profession of architecture, the field grows increasingly complex and requires new techniques of inquiry and design.
One method may be to mark with a different color ink or use a hi-liter to identify sections in your outline, e. In this way the attitude of the audience is prepared also: There are numerous programming assignments in the course. Accessing WWW Group your notes following the outline codes you have assigned to your notes, e.
A third factor is style. Are there any questions important enough to build into the presentation. Is this a helpful way of thinking about how to help people thinking of quitting the PhD. It must be easy for a disaffected student to become quite socially isolated. None of the moral probing of Greek tragedy, the character psychology of Shakespeare and Racine, the social and spiritual criticism of Ibsen and August Strindbergnor the contemporary drama of shock and argument, is imaginable in the classical drama of the East.
From a Rag-Tag Group of Speakers to a Dynamic Presenting Team By incorporating these three ingredients into your next group presentation process, you will find that you not only develop a presentation that your audience loves, but your group will transform from a rag-tag group of speakers into a dynamic presenting team.
You must also be able to effectively communicate your thoughts, ideas, insights, and research findings to others through written words as in a report, an essay, a research or term paper, or through spoken words as in an oral or multimedia presentation with audio-visual aids.
If you will be presenting in a small room, consider where each speaker needs to be positioned to quickly reach the speaking area, and whether they will sit or stand when not speaking. MET CS ; or instructor's consent.
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